Compact & Steady
Gone are the days of shaky, vomit inducing video and expensive complicated stabilisers. Handheld stabilisers have been around for a while now but none have been as prolific and integrated as the DJI OSMO. Combining stellar video and photo quality with a tried and tested 3-axis gimbal system from the Inspire 1, DJI has put the freedom of movement back in the hands of the user. Why bring around heavy camera equipment on holiday when this is all you need!
All You Need
Using the DJI Go App on your smartphone lets you see what the OSMO sees in real time. Control the shutter, change the settings and even preview the footage right on your phone, the app even lets you easily download and share photos and videos with your friends. Connecting via WiFi is a breeze, the absence of lag is a pleasure to use.
Expand as You Go
The DJI OSMO is also highly expandable with a large range of accessories and support for external microphones, different higher resolution cameras as well as various mounting and rigging options if you want to take the OSMO on an adventure. The possibilities are endless with the OSMO and with the right rigging, even the sky won’t be a limit.
High Performance Camera
Shooting at up to 4K resolution at 30p, the 1/2.3” Sony sensor also delivers awesome stills of up to 12-megapixels.
Point 2: Flexible Movement
The DJI 3-axis gimbal eliminates and jerky movement from your footage and is fully controllable by joystick or natural movement
Dimensions (HxWxD): 61.8 x 48.2 x 161.5 mm
Weight: 201g (Handle), 221g (Camera & Gimbal)
Sensor: Sony Exmor R CMOS; 1/2.3” Effective pixels: 12.40M
Video: UHD: 4K (4096 x 2160) 24/25p; UHD 4K (3840 x 2160) 24/25/30p; 2.7K (2704 x 1520) 24/25/30p; FHD: 1920 x 1080 24/25/30/48/50/60/120p; HD: 1280 x 720 24/25/30/48/50/60p
Memory Slot: Micro SD; Max. Capacity: 64 GB; Class 10 or UHS-1
Display: Via DJI App On Mobile Phone
Total Score: 8.4
Verdict: Incredible value for money and vast expansion options make this a must have for a budding videographer or vlogger
Review by Lutfi Tan.